Woody Radio DJ Mike Show #629 12/30/2025: The Big New Years Eve Eve Show Show with Gail George!

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Artist | Title | Album
Star Collector | Roll That Rock (Up That Hill) | Everything Must Go!
20/20 | Laurel Canyon | Back To California
Rome 56 | Shut Down Town | Pony Tales
The Grip Weeds | Column Of Air | Soul Bender
Anton Barbeau | Glitch Wizard | Glitch Wizard
Tamar Berk | i’m in the day after | ocd
Chissum Worthington | Coconut Butt | Chissum Says Go!
Hawkins-MacNeill | Four Horsemen | Wingmen
Squeeze | Trixies, Pt. 1 | Trixies
Hayley Williams | True Believer | True Believer
Young Gun Silver Fox | Stevie & Sly | Stevie & Sly
Ronnie D’addario | I See the Patterns | A Very Short Dream
Gail George | Everything Will Be | For The Record
Jim Trainor | Jim Trainor – You Say You | Listening To Understand
Charming Disaster | Gang of Two | The Double
The High Frequencies | Can You Hear Me | Get High
The Peppermint Kicks | Too Sweet (Oh Yeah!) | Pop Rocks In My Chewing Gum
The Corner Laughers | The Corner Laughers – Dark Matter | Chilling, Thrilling Hooks And Haunted Harmonies: The Big Stir Records Halloween Grimoire
Gail George | Last Man Standing | For The Record
Gail George | Buckle Up Buttercup | For The Record

Comments

One response to “Woody Radio DJ Mike Show #629 12/30/2025: The Big New Years Eve Eve Show Show with Gail George!”

  1. Dr Banerjee Avatar
    Dr Banerjee

    Seeing this year-end radio show playlist as a reader, what strikes me is how it functions as a sonic yearbook rather than a mere catalogue. The selection feels like a conversation between past and present, weaving older voices with newer ones in a way that mirrors how we listen when the calendar turns. The music becomes a bridge between moments rather than a rigid statement of “this was the best”.
    What stays with me is the way a DJ’s choices shape a kind of rhythmic memory, where transitions between tracks create their own narrative logic. It reminds me that playlists aren’t just lists; they are sequences that suggest flow, contrast and resonance, not unlike a composition in miniature.
    There’s something quietly generous about sitting with a mix like this. It doesn’t proclaim itself definitive, but it invites the listener to inhabit the space between songs and reflect on what the year sounded like from that vantage point.

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